Critical acclaim for
'His carefully crafted descriptions of horrific images, along with the ability to suggest they are even worse than words can tell, is reminiscent of Poe and the early stories of Clive Barker. Not for the squeamish, but no fan of literary horror should miss it. '
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'Top-notch writing skills, poetic vision and beautiful prose raise this way above your Hammer House of Horror . . . unusual as well as highly accomplished terror. '
'Williams is so good at what he does that he probably shouldn't be allowed to do it any more, for the sake of everyone's sanity. '
'Williams has built a whole mythology, one that makes the book feel like a cobwebbed relic from another time. Dust it off, if you like. Just do it at, say, ten in the morning. In a crowded room. In a military compound. '
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'Williams' threat emerges from the world like an optical illusion being revealed, then you find that society fell apart while you were looking somewhere else.
''A terrifying tale of violence and determination to survive. Highly recommended. '
'This book scared the crap out of me . . . In my estimation, Williams does so many things so well that there's really not much he can't do. He is one of the few writers working in the area of horror and dark fantasy who has my full attention all of the time.
'[A] rich, emotionally engaging and extremely fast-paced novel . . .
'Conrad Williams takes us on a roller-coaster ride through ancient buried secrets and body-horror invasion into the pulsing gut of apocalyptic British horror. ' Christopher Fowler
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'An apocalyptic nightmare narrated with great vigour, clarity and stylishness. Steel yourself for some hideous sadism – there's awe along the way. ' Ramsey Campbell