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Автор Дэвид Герберт Лоуренс

The Trespasser

David Herbert Lawrence

About Lawrence:

David Herbert Lawrence (11 September 1885 - 2 March 1930) was an important and controversial English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, sexuality, and instinctive behaviour. Lawrence's unsettling opinions earned him many enemies and he endured hardships, official persecution, censorship and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage. " At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation. " Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature, although some feminists object to the attitudes toward women and sexuality found in his works.

Source: Wikipedia

Also available on Feedbooks Lawrence:

Lady Chatterley's Lover (1928)

Women in Love (1920)

Sons and Lovers (1913)

The Rainbow (1915)

Fantasia of the Unconscious (1922)

The Horse-Dealer's Daughter (1922)

The Prussian Officer (1914)

Twilight in Italy (1916)

The Virgin and the Gipsy (1930)

Love Among the Haystacks (1930)

Chapter 1

'Take off that mute, do!' cried Louisa, snatching her fingers from the piano keys, and turning abruptly to the violinist.

Helena looked slowly from her music.

'My dear Louisa,' she replied, 'it would be simply unendurable. ' She stood tapping her white skirt with her bow in a kind of a pathetic forbearance.

'But I can't understand it,' cried Louisa, bouncing on her chair with the exaggeration of one who is indignant with a beloved. 'It is only lately you would even submit to muting your violin. At one time you would have refused flatly, and no doubt about it. '

'I have only lately submitted to many things,' replied Helena, who seemed weary and stupefied, but still sententious. Louisa drooped from her bristling defiance.

'At any rate,' she said, scolding in tones too naked with love, I don't like it. '