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Автор Хишам Матар

Anatomy of a Disappearance is a work of fiction. Names, characters, places, and incidents are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental.

Copyright © 2011 by Hisham Matar

All rights reserved.

Published in the United States by The Dial Press, an imprint of The Random House Publishing Group, a division of Random House, Inc. , New York.

DIAL PRESS is a registered trademark of Random House, Inc. , and the colophon is a trademark of Random House, Inc.

Portions of this book appeared previously in The New Yorker in different form.

Originally published in hardcover in the United Kingdom by Viking, an imprint of Penguin Books, Penguin Books Ltd.

Library of Congress Cataloging-in-Publication Data

Matar, Hisham.

Anatomy of a disappearance : a novel / Hisham Matar.

p. cm.

eISBN: 978-0-679-64398-2

1. Fathers and sons—Fiction. 2. Missing persons—Fiction. 3. Family secrets—

Fiction. 4.

Stepmothers—Fiction. 5. Cairo (Egypt)—Fiction. I. Title.

PR6113. A87A84 2011

823′. 92—dc22      2011001561

Title page image by Julia Soboleva

Jacket design: Lynn Buckley

Jacket photograph: Serge Balkin/© Condé Nast Archive/Corbis

v3. 1

Contents

Cover

Title Page

Copyright

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Dedication

Acknowledgments

Other Books by This Author

About the Author

CHAPTER 1

There are times when my father’s absence is as heavy as a child sitting on my chest. Other times I can barely recall the exact features of his face and must bring out the photographs I keep in an old envelope in the drawer of my bedside table. There has not been a day since his sudden and mysterious vanishing that I have not been searching for him, looking in the most unlikely places. Everything and everyone, existence itself, has become an evocation, a possibility for resemblance. Perhaps this is what is meant by that brief and now almost archaic word: elegy.

I do not see him in the mirror but feel him adjusting, as if he were twisting within a shirt that nearly fits. My father has always been intimately mysterious even when he was present. I can almost imagine how it might have been coming to him as an equal, as a friend, but not quite.

My father disappeared in 1972, at the beginning of my school Christmas holiday, when I was fourteen. Mona and I were staying at the Montreux Palace, taking breakfast—I with my large glass of bright orange juice, and she with her steaming black tea—on the terrace overlooking the steel-blue surface of Lake Geneva, at the other end of which, beyond the hills and the bending waters, lay the now vacant city of Geneva. I was watching the silent paragliders hover above the still lake, and she was paging through La Tribune de Genève, when suddenly her hand rose to her mouth and trembled.