For Jim and Mike
CONTENTS
Title Page
Copyright Notice
Dedication
Epigraph
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Acknowledgments
Also by Andrew Fukuda
Praise for the Author
About the Author
Copyright
Our torments also may, in length of time,
Become our elements, these piercing fires
As soft as now severe …
—John Milton,
1
THE TRAIN ARRIVES in the dead of day.
The sun, perched high in the sky, scorches the desert a blinding white. Only the black filament of the train’s moving shadow taints this baked wasteland. The train slows, its line of cars rattling like the links of a metal chain dragged. None of the occupants on the train—and there are many, and they are tense, and they are standing with taut backs and frightened eyes—make a sound.
A tiny black dot circles high in the blue sky. It is a hawk, gazing curiously at the rippling shadow of the train beneath. The hawk squawks in surprise as the train suddenly dips into an opening in the ground. Like a snake, swiftly into a hole, disappearing. Gone as if it were never even there.
About ten miles away, on the other side of a range of low-slung hills, lies a gigantic disc-shaped building spanning several city blocks. It lies silent as a tombstone, circled almost completely by a thin rampart. A tall, slim obelisk rises from the building’s dead center. The windowed tip of this obelisk glimmers brightly under the sun like a lit candle. The obelisk is otherwise, as with the entire building, the color of the desert. Nothing moves on, in, or around the building.
Not at this time of day.The hawk observes this building with a steely, unblinking stare. Then, with a sudden squawk, it flaps its wings and flies away.
2
WE PLUNGE INTO the tunnel. Its opening gapes wide like a diseased mouth that eagerly swallows us whole. Our world of stark white and cobalt skies, in a sudden blink of an eye, is erased with pure black. A hot wind, dank and moist as a tongue, hurls through the bars of our caged car, gusts through our clothes and hair, our clenched hands, our crouched, shaking bodies.
Under us, sparks of light shoot out from the shrieking, braking wheels of the train. As one, we’re flung forward onto the metal mesh floor. Fear hums off our piled bodies in droves. A small hand, clammy with fear, clutches mine. “Not the Palace, not the Palace, not the…” she murmurs. One of the younger girls.