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I was born in 1937 in the small village of Pastura, New Mexico, in the llano (open plain) of the eastern part of the state. Soon after my birth my family moved to Santa Rosa on the Pecos River where I grew up.
I didn’t take creative writing classes while attending the university, so my effort was self-taught. Pounding the keys of an old Smith Corona typewriter late at night, I wrote draft after draft of the novel. The truly magical moment in the creative process was when Ultima appeared to me and instructed me to make her a character in the novel. Suddenly a boy’s adventure novel became an intense exploration of the unconscious. For me Ultima, la curandera, is a healer in the tradition of our native New Mexican healers. She is a repository of Spanish, Mexican, and Native American teachings.
Her role is “to open Antonio’s eyes” so he can see the beauty of the landscape and understand the spiritual roots of his culture. With her guidance he begins to understand that the river, the open plain, and all of nature is imbued with spirit. Everything is alive; God is everywhere. Suddenly the ordinary conflicts of childhood take on a deeper meaning. Antonio must now begin his journey into dreams and experiences that are extraordinary. This leads him to question why there is good and evil in the world.When Antonio accompanies Ultima to El Puerto to cure the uncle who has been cursed by witches, he experiences what few children experience. He participates in a cleansing ceremony in which Ultima expels the ball of hair which made the uncle sick. Antonio has entered the realm of the shaman.
New Mexico folklore, our cuentos, contains many stories about people who can take the form of owls or coyotes, people who can fly. These witches (I prefer the term shaman) are people of power whose work may be viewed as good or evil, depending on the needs of those who ask for their assistance. Ultima is a shaman who uses her positive power to do good.