Juan Gabriel Vasquez
The Sound of Things Falling
For Mariana, inventor of spaces and time
And the walls of my dream were collapsing to the ground, just as a city collapses in screams.
So you fell out of the sky too!
What planet are you from?
1. One Single Long Shadow
The first hippopotamus, a male the colour of black pearls weighing a ton and a half, was shot dead in the middle of 2009. He’d escaped two years before from Pablo Escobar’s old zoo in the Magdalena Valley, and during that time of freedom had destroyed crops, invaded drinking troughs, terrified fishermen and even attacked the breeding bulls at a cattle ranch. The marksmen who caught up with him shot him once in the head and again in the heart (with. 375-calibre bullets, since hippopotamus skin is thick); they posed with the dead body, the great dark wrinkled mass, a recently fallen meteorite; and there, in front of the first cameras and onlookers, beneath a ceiba tree that protected them from the harsh sun, they explained that the weight of the animal would prevent them from transporting him whole, and immediately began carving him up. I was in my apartment in Bogotá, 250 or so kilometres south, when I saw the image for the first time, printed across half a page of a national news-magazine. That’s how I learned that the entrails had been buried where the animal had fallen, and the head and legs had ended up in a biology laboratory in my city. I also learned that the hippopotamus had not escaped alone: at the time of his flight he’d been accompanied by his mate and their baby — or what, in the sentimental version of the less scrupulous newspapers, were his mate and their baby — whose whereabouts were now unknown and the search for whom immediately took on a flavour of media tragedy, the persecution of innocent creatures by a heartless system.
And on one of those days, while following the hunt in the papers, I found myself remembering a man who’d been out of my thoughts for a long while, in spite of the fact that there had been a time when nothing interested me as much as the mystery of his life.During the weeks that followed, the memory of Ricardo Laverde went from being a minor coincidence, one of those dirty tricks our minds play on us, to becoming a faithful and devoted, ever-present ghost, standing by my bed while I slept, watching from afar in the daylight hours. On the morning radio programmes and the evening news, in the opinion columns that everybody read and on the blogs that nobody read, everyone was asking if it was necessary to kill the lost hippos, if they couldn’t round them up, anaesthetize them and send them back to Africa; in my apartment, far from the debate but following it with a mixture of fascination and repugnance, I was thinking more and more intensely about Ricardo Laverde, about the days when we’d known each other, about the brevity of our acquaintance and the longevity of its consequences. While in the press and on the TV screens the authorities listed the diseases that could be spread by an artiodactyl — and they used that word: