Amos Oz
Fima
1. PROMISE AND GRACE
FIVE NIGHTS BEFORE THE SAD EVENT, FIMA HAD A DREAM WHICH he recorded at half past five in the morning in his dream book, a brown notebook that always lay beneath an untidy heap of old newspapers and magazines on the floor at the foot of his bed. In this book Fima had made it his habit to write down, in bed, as the first pale lines of dawn began to appear between the slats of his blinds, whatever he had seen in the night. Even if he had seen nothing, or if he had forgotten what he had seen, he still switched on the light, squinted, sat up in bed, and, propping a thick magazine on his knees to serve as a writing desk, wrote something like this:
"Twentieth of December — blank night. "
Or:
"Fourth of January — something about a fox and a ladder, but the details have gone. "
He always wrote the date out in words. Then he would get up to relieve himself and lie down in bed again until the cooing of the doves came into the room, with a dog barking and a bird nearby that sounded surprised, as though it could not believe its eyes. Fima promised himself he would get up at once, in a few minutes, a quarter of an hour at most, but sometimes he dropped
On Monday morning early, as a murky orange glimmer began to filter through the blind, he sat up in bed and entered the following notes in his book:
"A woman, attractive rather than beautiful, came up to me; she didn't approach the reception desk but appeared from behind me, despite the notice saying STAFF ONLY. I said, 'Sorry, all inquiries must be made from the front of the desk. ' She laughed and said, 'All right, Efraim, we heard you the first time. ' I said, 'If you don't get out of here, ma'am, I'll have to ring my bell' (although I haven't got a bell). At these words the woman laughed again, a pleasant, graceful laugh, like a burbling brook. She was slim-shouldered and had a slightly wrinkled neck, but her breast and stomach were well rounded and her calves covered by silk stockings with curving seams. The combination of curvaceousness and vulnerability was both sexy and touching. Or maybe it was the contrast between the shapely body and the face of an overworked teacher that was touching. I had a little girl by you, she said, and now it's time for our daughter to meet her father.
Although I knew I wasn't supposed to leave the clinic, that it would be dangerous to follow her, especially barefoot, which I suddenly was, a sort of inner signal formed itself: If she draws her hair over her left shoulder with her left hand, then I'll have to go. She knew; with a light movement she brought her hair forward until it spread over her dress and covered her left breast, and she said: Come. I followed her through several streets and alleys, several flights of steps and gates, and more stone-paved courtyards in Valladolid in Spain, though it was really more or less the Bukharian Quarter here in Jerusalem. Even though this woman in the girlish cotton dress and sexy stockings was a stranger and I had never set eyes on her before, I still wanted to see the little girl. So we walked through entrances to buildings that led to back yards full of loaded clotheslines, which led us to new alleyways and an ancient square lit by a street lamp in the rain. Because it had started to rain, not hard, not pouring, very few drops in fact, just a thick dampness in the darkening air. We didn't meet a living soul on the way. Not even a cat. Suddenly the woman stopped in a passageway that had vestiges of decaying grandeur, as if it were an entrance to an Oriental palace, but probably it was just a tunnel joining two sodden courtyards, with battered mailboxes and flaking ceramic tiles. Removing my wristwatch, she pointed to a tattered army blanket in an alcove under the steps, as though removing my watch was the prelude to some kind of nakedness, and now I had to give her a baby daughter. I asked where we were and where the children were, because somehow along the way the daughter had turned into children. The woman said,