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Автор Джеймс Эйджи

James Agee

A Death In The Family

A NOTE ON THIS BOOK

James Agee died suddenly May 16, 1955. This novel, upon which he had been working for many years, is presented here exactly as he wrote it. There has been no re-writing, and nothing has been eliminated except for a few cases of first-draft material which he later re-worked at greater length, and one section of seven-odd pages which the editors were unable satisfactorily to fit into the body of the novel.

The ending of A Death in the Family had been reached sometime before Agee's death, and the only editorial problem involved the placing of several scenes outside the time span of the basic story. It was finally decided to print these in italics and to put them after Parts I and II. It seemed presumptuous to try to guess where he might have inserted them. This arrangement also obviated the necessity of the editors having to compose any transitional material. The short section ' Knoxville: Summer of 1915', which serves as a sort of prologue, has been added. It was not a part of the manuscript which Agee left, but the editors would certainly have urged him to include it in the final draft.

How much polishing or re-writing he might have done is impossible to guess, for he was a tireless and painstaking writer. However, in the opinion of the editors and of the publisher, A Death in the Family is a near-perfect work of art. The title, like all the rest of the book, is James Agee's own.

A Death in the Family

Knoxville: Summer 1915

We are talking now of summer evenings in Knoxville, Tennessee in the time that I lived there so successfully disguised to myself as a child. It was a little bit mixed sort of block, fairly solidly lower middle class, with one or two juts apiece on either side of that.

The houses corresponded. middle-sized gracefully fretted wood houses built in the late nineties and early nineteen hundreds, with small front and side and more spacious back yards, and trees in the yards, and porches. These were soft-wooded trees, poplars, tulip trees, cottonwoods. There were fences around one or two of the houses, but mainly the yards ran into each other with only now and then a low hedge that wasn't doing very well. There were few good friends among the grown people, and they were not poor enough for the other sort of intimate acquaintance, but everyone nodded and spoke, and even might talk short times, trivially, and at the two extremes of the general or the particular, and ordinarily next-door neighbors talked quite a bit when they happened to run into each other, and never paid calls. The men were mostly small businessmen, one or two very modestly executives, one or two worked with their hands, most of them clerical, and most of them between thirty and forty-five.

But it is of these evenings, I speak.

Supper was at six and was over by half past. There was still daylight, shining softly and with a tarnish, like the lining of a shell, and the carbon lamps lifted at the corners were on in the light, and the locusts were started, and the fire flies were out, and a few frogs' were flopping in the dewy grass, by the time the fathers and the children came out. The children ran out first hell bent and yelling those names by which they were known; then the fathers sank out leisurely in crossed suspenders, their collars removed and their necks looking tall and shy. The mothers stayed back in the kitchen washing and drying, putting things away, re-crossing their traceless footsteps like the lifetime journeys of bees, measuring out the dry cocoa for breakfast. When they came out they had taken off their aprons and their skirts were dampened and they sat in rockers on their porches quietly.